Towards a „modern“ genealogy of the many
„With the socialist frame lacking, and given, at this point, a totally transformed productive regime as the postfordist one, can the terms of the problem still be the same? Is there no visible difference between the demonstrations by the Art Workers‘ Coalition and the protests or escraches (exposure protests) of Colectivo etcetera? Between the strategy of Group Material’s „The People’s Choice“ (1981) and that of „Wunscharchiv“ (Archive of Desire, 1996) by the group Park Fiction. Between Hans Haacke’s denuding of the „corporation culture“ and Bureau d’Etudes’s mapping of capitalism’s hidden networks? Or between the presentation of xenophobia by Adrian Piper or by the Black Audio Film Collective?“ fragt Marco Scotini im „Moscow Art Magazine“. Der Artikel auf Englisch hier: http://xz.gif.ru/numbers/digest-2005-2007/genealogy-of-the-many/